The media that I will be analysing in this question will be
film and games which are regulated by BBFC and PEGI. Firstly, film is regulated
by the ‘British Board of Film Classification’ (BBFC) who were previously known
as the ‘British Board of Film Censors’ when established in 1912. The change in
their name was due to the term censors seeming to restricting. BBFC are a
non-statutory business as they deal with regulating films without the governments
input. Their sole purpose was to certify and classify any film that was to be
released in any cinema in Britain. By 1984 ‘The Videos Recording Act’ meant
that every film even videos that were created for hire and sale purposes also
had to be regulated. The BBFC also used to regulate games but in 2003 the Pan
European Games Information (PEGI) was established and by 2012 they took full
control of regulating games. PEGI is the game regulator for games in Europe so
they’re also non-statutory. Their main purpose is to help parents in Europe
make a decision on what games they can buy their children by categorising games
by their level of violence and sex; not difficulty which people normally think
it is. This categorising is done by labelling the packaging of each game with a
descriptor that has either a 3, 7, 12, 16 and 18 printed onto it.
Even though these regulators are in place, there are still
problems that are faced with the regulation of different media. This is mostly
caused by the growth and advancement of technology. For instance younger
viewers can watch or play media products that are rated above their age online
without their parents even knowing. For this reason BBFC and PEGI are trying
different sorts of regulatory practices to make sure things like this don’t
really happen. For instance in 2007 PEGI created PEGI online to protect younger
viewers.
Call of Duty is a game that has caused a moral panic. PEGI
rated the game 18 as it consists of gross violence and is really bloody. Its violence is also very realistic. This game is very
controversial as it was named a reason for the death of a fourteen year old
boy. In 2011 Callum Green hanged himself straight after playing Call of Duty
which was rated above his age. This is evident that people who are younger than
the specific age rating of a game are still trying to find a way to play it.
You could argue that this shows that PEGI have a good system as they know what
games wouldn’t be suitable for someone as we can see the damage it does and it
is predominantly the parent’s fault as they’re buying the games for their
children. However this isn’t absolutely accurate as Call of Duty has affected
someone who is over 18, Anders Breivik was a Norwegian mass killer who claims
that he used call of duty to help him on his attacks. This proves Martin Bakers
theory to be wrong as people aren’t able to tell the difference from real and
on screen violence. It also shows that it can be PEGI who are in the wrong by
failing to give their games the right age rating.
In terms of films, Blue is the Warmest Colour was passed by
the BBFC as an 18 uncut. It was rated 18 for having strong sex and very strong
language. The film was released on November 22nd 2013. It was based
on a lesbian romance between a high school student and an arts college student.
This film received several complaints as viewers thought it was too explicit as
it included full nudity and sex scenes that lasted at least for ten minutes.
These scenes were also filmed to look very realistic to viewers. People thought
that this wasn’t appropriate as the main fictional character was a fifteen year
old and if this was to happen in real life it would be deemed as illegal.
However others may go against this as they believe once you’re 18 you can make
the decision to watch any film. As well as this the film is a French film so
the acts inside it can be seen as arty and a great portrayal of romance.
PEGI and the BBFC are not the only regulators who receive a
lot of complaints, another form of media which is seen as being difficult to
regulate is television. This job is done by OFCOM who are a statutory business.
OFCOM tend to receive complaints after a show has been televised meaning they
can be seen as not strict as people have been already exposed to the show. For
instance, Celebrity Big Brother in 2016 had a member called Winston McKenzie
who brought up very homophobic and discriminating comments. This show was
broadcasted and then after it received several complaints however nothing could’ve
been done; they couldn’t take it off because it had already been broadcasted;
the damage had already been made.
To conclude I believe that media regulatory businesses do
try very hard to protect the public but it is the public that decrease this
effectiveness due to their use of catharsis; they act on everything they see as
it brings an inner desire. I also feel like in the future regulation won’t be
as strict as it is now, it would only get more lenient as people are now
desensitized to violence and society is becoming more liberal so different
things will be normal and acceptable in films and games.
working towards A-
ReplyDeleteA thorough overview of the regulators and application of the Case Studies to debates and some effect theory.
In your conclusion there is a sense of argument, this ought to be in your introduction as a thesis statement rathert than an afterthought
You refer to social changes in online media technology and access - and refer to desentisation and the conflict with moral panics and copycat/media effects theories.
You give some reference to history and attitude change of the BBFC from censors to classification -
There si confident understanding of the topic and secuire understanding of the case studies to be able to generate opinion and mostly - if not complete - response to the demands of the question
To secure A
You need to give a prediction of where regulation will be in 5-15 years time